Tuesday, August 25, 2015

Sketches: the dance without the music



Some Works in Progress

  On Sunday I had the priviledge to visit the garden and studio of Dorian McGowan, Professor Emeritus of Lyndon State College. at his home in East Burke, Vermont, with his good friend, and mine, watercolorist Joan Harlow.  I had been snared by the wit, integrity and beauty of his work from an exhibit at Northeast Kingdom Artisans Gallery a year before my own show there.  His garden, studio and home is all a pure garden of delights, like a forest of ripe fruit and flowers all in bloom . . . even the lawn was covered in sage, so that each footstep created an aura of beauty.  I could go on for hours describing that enchanted afternoon, and his lifetime pursuing art, purely for art's sake.  
   The reason I begin this intro with the visit, other than pure enthusiasm, is that Dorian has been enraptured by the story of the Minotaur, and the Greek tale, appears throughout his yard and in his artwork, a loving obsession.  My work and thoughts lately had been taking on a theme of Greek divines and mortals.  Below are some cut paper experiments trying to develop the idea that is preying on my subconscious.  Though hardly as refined and deep as Dorian's, it shall be interesting to see what evolves. it would be wonderful if some of his inspiration, curiosity and talent merge into my work!   I have spent a good part of the morning altering them from what you see them in the photo.

4 Greek Heads
 with feathers and finery 


    Meanwhile, in the glass studio, I have begun another water lily window:

Paper into Glass
 

     This work is shows the pattern cut out and assembled over the base outline which shall be my guide when laying out the pieces of colored glass.  Beneath them is the designfor a small decorative window (14 x 14).  I have begun cutting out the flower (of antique German) red glass for the lotus and a cloudy white for a backdrop.  The goal is to have a serene and beautiful flower, for enjoyment, and contemplation, as all things beauty aspire to that goal. 

Monday, August 10, 2015

Hildegard's Feather

I have begun trying to rebuild my painting skills after many years of neglect, and am beginning to feel more confident with my work.  With humankind reaching the far edge of our solar system, dancing around Pluto, this work ponders destiny, and the miraculousness of creation.  The phrase "a feather on the breath of God", seems to encapsulate the human condition.  It is from Hildegard von Bingen (1098-1179), who as a poor lass had no idea of where her destiny would lie, and recorded this remark upon her placement in a convent by her lord and master.  She must have breathed a sigh and embraced life to the fullest.

Here is the first step, blocking out sections with blue painter's tape, a startling image in it's own right.

blocking with tape, blue and white paint

And the finished work:

 Feather on the Breath of God
16 x 12, Gouache, August 2015
copyright J. Frase-White 8/2015

Sunday, August 2, 2015

"The Assumption in Narnia", Tryptic

paper cutting glass: "The Assumption of Aslan", Tryptic, cut paper, pai...: jimfw420@gmail.com


       C.S. Lewis chose in his Christian parable closeted in a magic land called Narnia, he chose as the Christ figure a lion, named Aslan.  A mystical lion seemed to emerge from my scissors and X-acto knife playing, as well as two angels, and this formed the basis of The Assumption (Ascension) of Aslan in Narnia.  As the New Testament tales display Jesus, the Christ ascending to heaven, this apparition seemed a perfect placement of my paper creations.